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Summary of Uzumaki Bonus Chapter: “Galaxies”
In the bonus chapter of Uzumaki, titled “Galaxies,” the spiral curse in Kurouzu-cho manifests through a cosmic obsession with spiral-shaped celestial phenomena. The story follows Kirie Goshima and her classmate, Tetsuro, as they encounter a new wave of madness gripping the town.
The chapter begins with Kirie noticing that Tetsuro, an astronomy enthusiast, has become fixated on observing the night sky through his telescope. He claims to have discovered a new spiral galaxy, which he names after himself, and insists it’s communicating with him. The spiral curse amplifies his obsession, causing Tetsuro to spend all his time stargazing, his eyes reflecting spiral patterns. Other townspeople, particularly children, join him, forming a cult-like group that worships the spiral galaxies, believing they hold divine secrets.
As the obsession spreads, the curse takes a surreal turn. The stargazers’ bodies begin to twist into spiral shapes, their heads elongating and spinning like miniature galaxies. Kirie witnesses Tetsuro’s transformation, his body spiraling upward into the sky, as if merging with the cosmos. The other children follow, their forms becoming glowing, spiral-shaped anomalies that vanish into the night. The town is left eerily quiet, with the remaining residents unnerved by the celestial disappearances.
Kirie, shaken by the events, looks up at the sky and notices an unusual number of spiral galaxies, hinting that the curse may have extended its influence beyond Kurouzu-cho to the universe itself. The chapter ends on an ambiguous, cosmic note, suggesting the spiral’s reach is infinite and eternal, leaving Kirie to ponder the curse’s true scope.
Themes and Notes: “Galaxies” expands the cosmic horror of Uzumaki, linking the spiral curse to the vastness of the universe. Junji Ito’s art is striking, with surreal depictions of spiraling human forms blending into starry skies, evoking awe and dread. This bonus chapter serves as a chilling epilogue, reinforcing the series’ theme of the spiral as an inescapable, universal force. It’s shorter than the main chapters but retains Ito’s signature blend of body horror and existential terror.