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Summary of Uzumaki Chapter 15: “Chaos”
In Chapter 15 of Uzumaki, titled “Chaos,” the spiral curse in Kurouzu-cho reaches a fever pitch as the town descends into total anarchy, with survivors succumbing to the curse’s influence in increasingly bizarre and horrifying ways. The chapter follows Kirie Goshima and Shuichi Saito as they navigate the collapsing remnants of their town, now a spiraling wasteland.
The story begins with Kurouzu-cho in ruins, its buildings warped into spiral shapes and its streets filled with desperate survivors. The curse has driven the townspeople to madness, with groups forming violent gangs that worship the spiral and attack others. Kirie and Shuichi encounter a gang led by a man named Wakabayashi, who has embraced the curse and claims the spiral grants him power. His body is covered in spiral scars, and he leads his followers in ritualistic acts of violence, believing they are serving the spiral’s will.
As Kirie and Shuichi try to avoid the gangs, they witness the curse’s effects on other survivors. Some have transformed into grotesque, spiral-shaped hybrids, their bodies contorted into snail-like or insect-like forms. Others are consumed by whirlpools of debris that spiral endlessly, trapping them in a cycle of destruction. The town’s infrastructure, including water and electricity, has been corrupted, with pipes and wires forming spirals that ensnare anyone nearby.
Kirie and Shuichi seek refuge in one of the few remaining intact buildings, only to find it overrun by survivors who have resorted to cannibalism and infighting. The chapter’s climax reveals the extent of the curse’s chaos, as the survivors’ humanity erodes entirely, leaving only spiral-driven instincts. Kirie and Shuichi barely escape, realizing that Kurouzu-cho is no longer a town but a manifestation of the spiral itself, pulling everyone toward its center. The chapter ends with the couple facing an increasingly hopeless situation, as the curse’s chaos threatens to consume them.
Themes and Notes: “Chaos” portrays the complete breakdown of society under the spiral curse, emphasizing themes of dehumanization and the loss of order. Junji Ito’s art vividly captures the anarchic horror, with sprawling panels of twisted bodies and spiraling destruction. The chapter intensifies the cosmic horror, showing the curse as an all-encompassing force that erases individuality and civilization.